“无尽之窗”装置构造了一个洞穴般的隧道，它参考了中国传统的木窗棂。吉隆坡的鬼仔巷为这件作品提供了场地和背景故事，装置在该地充当了时间隧道，反映出代表传统文化的过去。

‘Endless Frames’ imagines a cavern-like tunnel whichreferences traditional Chinese wooden door and window frames—acting as a timetunnel, where the context of Kwai Chai Hong lends itself to the historicalbackground for this piece. It reflects on the heritage of our past.

▽造型参考中国传统的木窗棂

▽装置正下方

与之对应，装置幽灵般的外观也投射出未来走向的模糊性，即使身处在瞬息万变的世界中，保护我们的文化遗产仍有其必要性。

Similarly, itsghost-like appearance projects an ambiguity in the future we are heading to—asmall commentary on needing to preserve our cultural heritage in a rapidlychanging world.

▽夜景

ProjectName: Endless Frames

Artist:Pamela Tan -Poh Sin Studio

Company Name: Poh Sin Studio

Website: https://www.instagram.com/pohsin_studio/

ProjectLocation: Kuala Lumpur, Malaysia

PhotoCredits: Annice Lyn, Aaron Wong, Ewyn Shum